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(social media) (publication)



selected clients

Asian Civilisations Museum
Asian Film Archive
BandLab Sounds
Centre for Strategic Futures
Centre 42
DesignSingapore Council
Esplanade Singapore
Goethe-Institut Singapore
Lasalle College of the Arts
Land Transport Authority Singapore
Ministry of Manpower
Nanyang Technological University
National Gallery Singapore
National Parks Board
National University Singapore
Scape Singapore
Singapore Art Museum
Singapore International Film Festival
Singapore Heritage Society

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Teo Eng Seng — We’re Happy. Are You Happy?
Project
Teo Eng Seng:
We're Happy. Are You Happy?
Client
National Gallery Singapore
Type
Exhibition Catalogue
Year
2024
Photo
Jonathan Tan
Singapore artist Teo Eng Seng is known for bold experimentation across seven decades, and is especially recognised for inventing “paperdyesculpt” in the 1980s, a process of shaping dyed papier-mâché and other materials into sculptural works. The book’s cover centres on the title set in a typeface with ink-trap details and glyph alternates that evoke a sculptural, organic quality, mirroring his intuitive approach. A stylised image of a sculptural work is cropped across the cover and back to emphasise materiality and spontaneity, while hand-torn edges add a tactile quality that echoes the experimental nature of his practice.



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hello@crop.sg

(c)crop 2026 (❍ᴥ❍)
Client
National Gallery Singapore
Type
Exhibition Catalogue
Year
2024
Photo
Jonathan Tan
Singapore artist Teo Eng Seng is known for bold experimentation across seven decades, and is especially recognised for inventing “paperdyesculpt” in the 1980s, a process of shaping dyed papier-mâché and other materials into sculptural works. The book’s cover centres on the title set in a typeface with ink-trap details and glyph alternates that evoke a sculptural, organic quality, mirroring his intuitive approach. A stylised image of a sculptural work is cropped across the cover and back to emphasise materiality and spontaneity, while hand-torn edges add a tactile quality that echoes the experimental nature of his practice.